Eastern State Penitentiary is sold now as one of the most haunted buildings in
America, and it runs a large Halloween attraction to prove it. That is fine, and
it funds the preservation of a National Historic Landmark that would otherwise
be falling down.
But the building is disturbing for a reason that has nothing to do with ghosts,
and the reason is written into its floor plan.
Built by people trying to help
The push came from the Philadelphia Society for Alleviating the Miseries of
Public Prisons, founded in 1787 by reformers including Benjamin Rush. Their
objection to eighteenth-century justice was moral: jails threw men, women and
children in together, and punishment was public, physical and degrading.
Their alternative was that a criminal left alone with his conscience would find
his way to remorse. Not a jail — a penitentiary, a place for penitence.
The legislature funded it in 1821. John Haviland designed seven cellblocks
radiating from a central hub, so a single guard at the centre could see down
every corridor. The façade was deliberately medieval and frightening. The
interior was built like a church, with vaulted ceilings and a skylight in each
cell that the men came to call the window of God.
It was the most expensive public building in America when it opened in 1829.
Its first inmate was a burglar named Charles Williams.
What the system actually was
Total separation. One man to a cell, with a private exercise yard he used alone.
Meals passed through a hatch. When a prisoner was moved through the building he
was hooded so he could not see other men and they could not see him.
The world came to look. Alexis de Tocqueville visited in 1831. The design was
copied by more than three hundred prisons worldwide.
1842
Charles Dickens came to Philadelphia specifically to see it, expecting to
admire it, and spent an entire day going cell to cell talking to the men inside.
One of them took hold of his coat and begged to be let out.
Dickens wrote it up in American Notes. He accepted that the designers were
sincere and humane in intention, and said they had no idea what they were doing.
Isolation, he argued, was "slow and daily tampering with the mysteries of the
brain" — worse than physical torture precisely because it left no marks anyone
could point at.
That is the entire modern argument about solitary confinement, made in 1842, by
a novelist, after one day's visit.
How it ended
Not on principle. On arithmetic.
The prison was designed for 250 men, one to a cell. Philadelphia grew. By 1926 it
held around 1,700. You cannot run a separate system at seven times capacity, so
the cells were doubled up and the men worked together, and the founding idea
quietly disappeared while the building it required stayed standing.
It closed in April 1971 after 142 years, structurally exhausted, having held
more than 75,000 people. Al Capone did eight months here in 1929, in a cell with
rugs and a radio, which tells you what the system had become.
Going there
The cellblocks are stabilised ruin rather than restoration — peeling plaster,
collapsed roofs, trees growing in the exercise yards — and the site has made a
deliberate decision not to tidy that away.
The permanent exhibit on mass incarceration is the part people skip and the part
worth the ticket. It puts the current American prison population next to the
1829 experiment and lets you draw the line yourself.
Go in daylight, at least the first time. The ghost tours are good. The building
does not need them.